At TopSummertime, mixing and mastering isn’t just a service—it’s an art, a science, and a passion. I started this journey a decade ago with a $3 USB mic and Audacity, chasing that “official” feeling long before I understood psychoacoustics, harmonics, or analog warmth. Today, I bring deep technical mastery and creative instinct to every project, but the heart of it hasn’t changed: I love the process as much as the product. This isn’t fast-food audio—great mixes aren’t microwaved, they’re crafted. Even when a vocal sounds like it was recorded in a cave, I treat it as a chance to collaborate, not criticize. My goal isn’t to compete with other studios—it’s to help each song reach its full potential through shared passion and trust. Beautiful mixes start with you. I just help them bloom. I use my home studio because it’s where precision meets comfort—where I can dial in every detail without compromise. It’s not about cutting corners; it’s about creating a space that’s acoustically tuned, creatively charged, and built from the ground up to serve the music, not the clock.

I am currently building a commercial studio set to open in 2026.

I am now on earth specifically to deliver music in any way possible, to the best of my abillity constantly upgrading hardware and knowledge.